![]() ![]() This year I also will buy myself a focus control unit, It'll make it easier for me to manually focusing in the field. I just hold the white plastic in front of the lense and push the button for manually WB - Voila! That's in my bag where ever I go for manually white balance :) In Norway we can buy ice cream in white plastic boxes, I've cut a peace from a such one, used some glue and put a white paper on it. I think many cameras today have more then one customer presets to save manually taken WB on. These are very difficult to shoot as the light will change.ģ) In the magic hour - before sun rise and after sun set you'll get a much more blue light then in day sun light.Ĥ) Shooting in the shadow - on a sunny day with a blue sky the shadows have a much more blue colour then the directly sunlight, because of dominance of reflected light from the sky. ![]() ![]() Let's say you're filming a person (or what ever) walking from in door to out door, or just passing a window with light coming in from out side. Situations I want to mention when i think it's very importened to use manual white balance is:ġ) Filming in light from artificial light - in doors (lightning pipes).Ģ) In mixed lightning - if your scene is a mix between in door and out door. First, I think this question belongs in the Under Water-Over Land forum :)Īs a main rule I think no automatic controls belong in wildlife videoing, because of constantly change of focus, behaviour of animals/birds, walking in and out of view and the lightning conditions constantly changing, etc.Ī least that's how I do it - all manual when shooting wildlife. ![]()
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